Tag Archives: Musical Youth

Friendship Goals

We read for enjoyment, but literature plays an important role in human development, and one of those roles is teaching us about being a good friend. When we read, we live vicariously through the characters, we observe the way they respond to situations and think about how we would respond faced with the same stimuli. In that way, books are a little like flight simulators. Continue reading

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Fictional Females of CaribbeanReads

The way women are portrayed in literature has evolved over time and in CaribbeanReads’ books, you find female characters who represent the diversity of characteristics that women, in reality, are. So today we will highlight some of the girls and women who play a role in CaribbeanReads’ literature- the characters. Continue reading

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Musical Youth named one of 100 best books reviewed by Kirkus Reviews in 2020!

Kirkus Reviews has selected the second edition of Musical Youth as one of Kirkus Reviews’ Best Indie Books of 2020. The news will be shared in Kirkus newsletters going out today and on their website on December 21,2020.

Carol Mitchell of CaribbeanReads stated that “CaribbeanReads’ books have received very positive Kirkus Reviews in the past, but this is our first starred review, so we are very excited. To have Musical Youth chosen as one of the top 100 books by an Indie publisher this year is even more gratifying. It is a wonderful book and this is well-deserved.” Continue reading

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2020 Wrap Up

CaribbeanReads 2020 wins
It’s coming to that time of year, the end of 2020. Our latest mailing highlighted some of the highlights of the CaribbeanReads’ year, including the books published, our starred Kirkus review, and more. Feel free to join our mailing list, it will bring joy to your mailbox. And as always, check out our catalog to get all your Christmas or holiday gifts, for young and older.

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Kirkus Reviews highlights Musical Youth

Earlier this year, starred review from Kirkus Reviews. This review has now been selected to be featured in Kirkus Reviews November 1 Issue and will appear as one of the 35 reviews in the Indie section of the magazine. We are very excited about the opportunity especially since less than 10% of Kirkus Indie reviews are chosen for this.
Kirkus Review November 2020 features Musical Youth
Read an excerpt from the publication here.

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** Starred ** Kirkus Review of Musical Youth

Kirkus Review of Musical Youth

Receiving reviews is always a bit nerve-wracking. When you publish in a niche, there is always the chance that the reviewer completely misses the point of the book. That said, when we received notification that a Kirkus Review of Musical Youth by Joanne C. Hillhouse was available, we were excited to open it up. Continue reading

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First CaribbeanReads’ Reading Guide

Just in time for your next reading club, we have a discussion guide for Musical Youth by Joanne C. Hillhouse. This is a YA novel, but it’s enjoyed by adults as well. So whether you are a teen or an adult, your reading club will love this multi-cultural musical romance. The free reading guide contains a list of discussion questions for your book club and guidelines for using Musical Youth in the classroom.

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Musical Youth Second Edition Releases (with Bonus Author Information Revealed)

Be the first to know!
In November 2014, CaribbeanReads was tremendously proud to publish the Burt Award prize-winning title Musical Youth #musicalyouthbook by Joanne C. Hillhouse. We printed 4000 copies of the book, and today, thanks to the support of Code, the NGC Bocas Lit Fest, schools, bookstores such as Best of Books in Antigua and Paperbased in Trinidad, and book festivals in Brooklyn, St. Martin, USVI, Barbados, Anguilla, and Miami, we are all sold out!

With the second printing, we made a few changes to the cover (still maintaining the beautiful artwork of Glenroy Aaron) and the acknowledgements in which Hillhouse speaks of her own gratefulness and thanks “readers everywhere—tout monde sam and baggai, as we say in Antigua and Barbuda—who bought and/or took the time to recommend the book; and specifically, Caribbean readers and young people who have told me how much they love Zahara, and how Zahara and Shaka are #relationshipgoals.”

Inside, the second edition of Musical Youth contains the same content that has prompted the incredible support the book has received. Zahara and Shaka pop off the page with the same intensity that keeps teens talking about them long after they’ve read the last word. Read reviews of the book here.

In commemoration of the new edition, author Joanne C. Hillhouse has put together a candid discussion about her writing process, her vision of the characters, and more in this study guide: author’s edition.

Musical Youth is the first of two Burt Award winners published by CaribbeanReads, the second being The Protectors’ Pledge by Danielle Y. C. McClean. The success of these titles speaks to the fact that we need Caribbean books and, more generally, #weneeddiversebooks.

Where to buy it? The new edition is available from the publisher, on Amazon, Barnes and Noble, and select bookstores. Ask your local bookstores and schools for your copy of the new edition. Copies of the OG (original version of) Musical Youth are still available at select bookstores. It’s may become a collectors’ item, so get yours quickly.

Share the news, let’s make this hashtag go viral. #musicalyouthbook. As Caribbean schoolchildren (of old?) might say, we glad bag bus’!

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2019 (to date) Books in Reviews

It’s July, and while it seems like just yesterday we heralded in an infant 2019 with fireworks and fanfare, it’s almost grown and already has more time behind it than in front.

CaribbeanReads books have received some love from our readers this year and we wanted to share some of the comments with you.

Musical Youth (about to enter its second edition) has a five star rating on Amazon and GoodReads, but its reach is growing beyond those well-trodden paths to include reviews on Instagram and on personal web pages including foreign language pages. Here are two of our favorites:
*Read more on Joanne’s blog. We were kind of blown away by all the great feedback.

  • “I first recognized the weight of her work by the response of the teens to her book, Musical Youth , in the Grenada Community Library. It remains one of the most popular books with teens, despite their tendency to shun Caribbean literature when they have a choice because they are required to read it in schools.” – Oonya Kempadoo, author of Buxton Spice
  • In April we came across a review in French from a blog titled myinsaeng. You can read the french review here and the English translation here, but this is the last paragraph: “To my knowledge, there is no French translation available, much less Creole, but I hope that “Musical Youth” will become a classic of literature for generations to come. And why not an audiovisual adaptation to immortalize this illustration of our time?”
  • “I love the little loving details that go into making a book that much more special, like the musical staff here on every new chapter of #MusicalYouth by @jhohadli . If you’re looking for a great YA summer read that’s also got some depth, check this one out. It’s all about learning to work together, the effects of colourism, coming out of your shell, and embracing your own self worth. I will read this one again at some point!…It’s a heart-warming Antiguan YA that’s pretty quick and easy to get through. 🌴🌺🌊📖Would highly recommend!” –beauty.on.the.bookshelf  on Instagram

Greyborn Rising, released in May 2019 has received a lot of reader praise. The main theme seemed to be that the book is impossible to put down.

  • An excellent read that I would highly recommend. Well researched and artfully written. I learned a lot while being entertained. Characters are well developed and you will not be able to put this book down. 
  • Greyborn Rising is a book I truly enjoyed.  From the first pages I felt captivated and entertained. The more I read the more I became interested in the characters and their challenges and successes. My favorite character is Katharine the soucouyant and once you read the book you will see why. 

Tata and the Big Bad Bull has received great praise from key educators and authors, and also from publications such as the Midwest Review and the Old Schoolhouse Magazine. The review love continued in 2019…

  • In an article entitled “Overcoming Barriers to Education in Tata and the Big Bad Bull,” Anansesem contributor, Shanimarie Ogilvie, reviews this CaribbeanReads title by author and poet, Juleus Ghunta. She refers to the book’s protagonist as a “universally relatable character,” and points out how “Ghunta’s use of rhyme…engages the reader.” She describes the narrative as “brisk” and the plot as “spirited.”
    Read the full review in the beautifully designed full color PDF edition of the May 2019 Anansesem book review issue.

The Masquerade Dance released in April 2019. Reviews are still in coming in, but we loved this one from one of our own, Joanne C. Hillhouse.

  • In summary, Joanne C. Hillhouse comments: “Nicely done; quick (and colourful) read overall and good for classroom or reading club story time.” Read her entire review here.

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Why YA?

ya-coversCaribbeanReads will be publishing two YA novels in 2017, bringing our total YA offerings to four. Since CR is a small publisher, this is significant. Three of the four books have been recognised by the Burt Award for Caribbean Literature, Musical Youth was a 2014 winner, The Protector’s Pledge was a 2016 winner, and Barberry Hill was one of six finalists in 2016. So why is YA literature being given such a spotlight on the Caribbean front?

The term “young adult literature” can be hard to define. One would think that it means books that appeal mainly to a particular age range-teenagers. However, with adults being the most prolific readers of YA, it is clear that YA is more than a target age. Young Adult literature has come to mean ‘coming of age’ literature in which the central characters-usually teenagers-are impacted by the events in the book in a way that leaves them a step closer to adulthood.

YA books typically handle issues that are not addressed in the same way in books for younger children or adult literature for that matter. They tackle life complexities with which most teenagers are having their first experiences such as romantic love, fitting in, abandonment, family breakdown, drugs, sex, politics, and more. Often these themes are wrapped within a larger story, but whether the protagonists are embroiled in a fight with mystical creatures (as in The Protector’s Pledge) or in a true-to-life setting (as in Musical Youth, Another Day, and Barberry Hill), when you strip the book down to its bare minimum you should find a teen struggling against adversity to become more.

So, are these books important beyond their pure entertainment value? Definitely. They can play a key developmental role in a teen’s life.

  • Having these new experiences vicariously through books can be a safe way for teens to learn about life and to be inspired by the way that other teens overcome challenges.
  • Reading these stories can engender empathy for others, a very important skill in our day-to-day lives.
  • For children who may be in the midst of situations similar to those being faced by the protagonist, a YA book may provide a sense of comfort and a jumping-off point for discussing their problems with friends and an adult. It is much easier for a teen to present a book to an adult and say: “This is what is happening to me” than to find the words to describe how they are hurting.
  • Caribbean YA novels are important to our young people because, while the challenges of growing up are ubiquitous, every culture has a particular spin. Caribbean teens need support in their particular brand of coming-of-age. One example is colourism, a theme addressed in Joanne C. Hillhouse’s Musical Youth. While this problem may be endemic to the Caribbean or to people of African descent, being rated based on a physical feature is a concept with which all teens are familiar.

The world needs to read about how life impacts Caribbean teens and to understand that the Caribbean is a part of the global scene. Books, even fictional ones, play a key role in how the past is viewed. The Caribbean voice must be part of the collection of stories being told.

So how do we adults help this important movement? Write YA novels and share YA novels not just with Caribbean teens but with teens worldwide.

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